A little biography of Dostoevsky

29 August 2012 § Leave a comment

I thought my book probably needed a brief chronology of Dostoevsky’s life, and I was going to do a straightforward timeline, but all modern editions of the novels have those anyway, so I thought it would be more fun to write a short biography which, I hope, introduces all the events that I mention in the book. 

Fyodor Mikhailovich Dostoevsky was born in Moscow, on 30 October 1821[1], the second son of a military doctor. His father was strict, but loving, and Dostoevsky spent an uneventful childhood in Moscow, and at the family’s small country estate at Darovoe in Tula Province. At his father’s wishes, Dostoevsky studied at The Academy of Military Engineers in St Petersburg, but by the time he graduated, his father had died and he left the army in 1844 to pursue his literary interests.

The 1840s were years of potentially exciting political developments, in Russia and Europe, characterised by the growth of liberal ideas, and early socialism. In this climate, Dostoevsky’s debut novel, Poor People (1846) was ecstatically received but his more experimental follow-ups were less successful, and largely forgotten, with the exception of The Double (1846)– a fascinating psychological study that is perhaps more comprehensible to later readers than it was in the 1840s.

The failed European revolutions of 1848 terrified the Russian authorities, and the political atmosphere became increasingly repressive. Dostoevsky had become a member of a clandestine political group, and although their activities were mostly confined to discussion only, they were all arrested in 1849. After several months imprisoned in the Peter Paul Fortress in St Petersburg , he and his companions were led out onto Semenovsky Square, whereupon the death sentence was pronounced, and the accused were prepared for the firing squad. This was, however, a sadistic joke on the part of the authorities, for a pardon was immediately announced, and the men were sentenced to hard labour in Siberia instead.

Dostoevsky spent four years in prison, in Omsk, an experience he later fictionalised in Notes from the House of the Dead (published 1861). He was released from prison in 1854, but had to remain in exile in Siberia for another five years, until, in 1859 he was finally granted permission to return to European Russia. Dostoevsky had written several novellas and articles during his exile, including The Village of Stepanchikovo, and on returning to St Petersburg, he plunged himself back into literary activity and political debate, and made his first visits to Europe. He and his older brother, Mikhail, published two journals, first Time and then Epoch, and his first major novels were serialised in these journals: Humiliated and Insulted (1861) and Notes from Underground(1864) prepared the way and then, in 1866, came Crime and Punishment, the first of his four great novels.

Whilst exiled in Siberia, Dostoevsky fell in love with Maria Isaeva, the wife of a poor schoolmaster, and they married shortly after her husband’s death. The marriage did not get off to a good start when Dostoevsky suffered the horrors of his first major epileptic fit on their wedding night – he had already had a few minor attacks, but this fateful night confirmed Dostoevsky’s suspicion about his condition. The marriage was not particularly happy and Maria died in 1864. A few years later, Dostoevsky married his second wife, Anna Snitkina who had been employed as his stenographer.

His second honeymoon was, in some ways, as unlucky as his first, but his new wife was made of much tougher material than Maria and the marriage was long and happy. The newly-weds intended to travel to Europe for a few months, but Dostoevsky had accrued such terrible debts in Russia that they had to remain abroad so that he could avoid debtors’ prison. The couple lived an itinerant life, Dostoevsky was possessed by a gambling addiction that continued to destroy their fragile finances, and their adored first child died at the age of just three months, but somehow he managed to write his second masterpiece, The Idiot(1868)which, unsurprisingly, is one of his darkest works.

By 1871, the Dostoevskys’ financial position had stabilised enough that they were able to return to St Petersburg, and in 1872 Dostoevsky completed his political novel The Devils, the first part of which had been published while he was still abroad. Anna took a firm hand on the family finances, managing negotiations with creditors and publishers, and eventually running the business of publishing Dostoevsky’s books herself. In the 1870s, Dostoevsky was at last able to enjoy a comfortable family life, dividing his time between literary life in St Petersburg and a summer cottage in the small town of Staraya Russa, and taking great delight in bringing up his two children, Lyubov and Fyodor (although a second son, Alexey, tragically died of epilepsy, in 1878, aged just three). His wildly popular one-man journal, Diary of a Writer, which was published by the Dostoevskys in 1876-77 established his reputation as one of the country’s foremost writers and commentators, but he had to stop publication so that he could concentrate on his last, and greatest novel, The Karamazov Brothers.

The first installation of The Karamazov Brothers appeared in February 1879, and held Russia transfixed until its completion in November 1880, just a couple of months before Dostoevsky’s death. In 1880 Dostoevsky was invited to give a speech during the festivities marking the unveiling of a statue to Russia’s greatest poet, Alexander Pushkin, and if there was any doubt about the esteem in which he was held, it was confirmed by the rapturous reception his speech received. When he died of emphysema in January 1881, the crowds of mourners at his funeral stretched back for almost a mile behind his coffin, bringing St Petersburg to a halt, and for a brief moment, the growing political turmoil in Russia came to a standstill, as the country united in grief at the loss of one their greatest writers.

No-one expects the Spanish Inquisition

20 August 2012 § 1 Comment

He descends into the scorching streets of a southern city…

My family may have thought they were safe from “Doffywevvy” (as my son used to call him) while we were on holiday in Southern Spain, but they were wrong, because we had a day out in Seville, home of the Grand Inquisitor. I couldn’t help but see the trip as a mini-pilgrimage, although I was a little disappointed to discover that Dostoevsky (or Ivan Karamazov) had obviously not really done any research. Ivan’s poem describes Christ appearing on the steps of the cathedral, raising a girl from the dead, and then being arrested by the Grand Inquisitor who sees the hubhub from across the square and comes to see what’s going on, but there are no steps to speak of, and the main west door of the cathedral gives onto a narrow alleyway. The great courtyard in the picture below (taken from the Giralda tower) is to the north side, and there’s quite a big plaza to the south too, but otherwise, the cathedral is hemmed in by a maze of narrow streets, and is surprisingly hard to find. We queued at the southern door for an hour in blazing heat, and I chastised a Russian family who were brazenly attempting to queue-jump, much to their surprise. No-one expects a cross, Russian-speaking Brit.
Seville Cathedral Now, of course, I know that the discrepancies between Ivan’s description and reality hardly matter, but it was an interesting game to play. I was also surprised at how much that passage had coloured my expectations of Seville. The incredible heat and the narrow streets were there, but because most of the action takes place during a hot, airless Seville night, my brain hadn’t expected such glittering whiteness, from the buildings and from the searing sunlight. At least such differences meant that my over-active imagination didn’t expect an Inquisitor to pop out from behind a corner.

(PS I did take some photos of the doors, but my camera has gone to China with my husband, so I had to use one of the Small Boy’s pictures – and he was more interested in architecture than literature).

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